ANANSE
During
the Pre-Colonial period, Africa was very famous for their culture and
tradition. The belief that the ancestors played prominent roles in the
maintenance of morality in the community hardly dies. Even after the
colonization many believes there is no death for their religion. African’s
traditional belief, God is the explanation of all things.
African loss their shallow language and
their history. Mostly, African spent half their time learning and mastering the
languages, culture and religion of their oppressors. During the era of
colonization their words and original accent were disappeared from use and
circulation. Also their meanings are lost and misrepresented. The colonizers
had forced Africans to withdraw their own native languages. Through this the
colonizers can find the archetype of the enslaver. This gave Africans a false
sense of belongings; a soothing determination to be seen to belong and yet not
be a part of a distorted sense of purpose in helping advance the economic upliftment
of their oppressors while gaining little gaining little else other than a part
on the black.
During the 18th century Edwin Smith in his
missionary explained about the racism and slavery of Africa. He wrote in detail
about European colonizers suppression towards Africa. His book ‘The Golden
Stool’ describes how European destroyed the institutions, traditions and
religion of the people. The colonizer ruined the customs and traditions of
Africa. One of the primary fact is that the colonizers initially disassociate
those people from their God , their spirituality, their culture, and their
history. With these the cultures and traditions lessened and finally
disappeared.
Discussion:
Ananse is
an imaginal character in Caribbean folktales. This character appear as a
mythical spider in the human form. Inorder to highlight the African origin,
Braithwaite chose Ananse as the title. Here the poem portrays the dilemma of
the Africans who were tortured and suppressed by the colonizers. They lost many
of their of their traditions and customs. Through the poem ‘Ananse’ the reader
can feel the rage of the African towards the colonizers. The poem picturizes
the social relevance of Ananse particularly in the site of transformative
discriptions like revolts and rebellions.
“memories trunked up in a dark attic, he
stumps up the stares of our windows, he
stares, stares he squates on
the lips. Of our language black burr of conundrums eye corner of ghosts,
ancient histories. An attic, a storing
area for conjures up an idea of web-filled place, the common haunt of spiders.
Thes lines deals with the ancesteral memory. The memory evoked here is the
African heritage the slaves brought with them to the Caribbean, those are the
ancient histories of various tribes transported from Africa,. Only the
proverbs, riddles, ‘Conundrums’ kept the African language alive. The influence
of foreign language killed many of the African dialects. He spins drum, beats,
silver skin webs of sound through the villagers; tacky heard him and
L’Coverture all the hungry dumb-bellied chieftains.
The ancient way of life resonant with
drums beating to convey messenger from one village to another. The colonizers
occupied the peaceful life of the villagers. Tacky and L’ouverture exploits in
popular slave rebellions ‘Cheiftains’ also placed. Intrigue practised by them
was required for the overthrow of colonial slavery. This is equated with the
ability of the spider to spin webs which enshares unsuspecting victims. In west
African culture traditional story-tellers,griots, often narrate stories to the
villagers gathered around a fire. Wallaboo tree is native to this region. The
colonizers captured all the good things
from the native and destroyed poor lives.
Who spat
Their
death into the grounds
Goare, Port-au-Prince, Half Moon Fort,
Villagers,
Dead lobstor-pot crows,
Wire red, sea shells, coconut trees’ hulls,
Black iron bells, clogged,
No glamour of moon on man
This carries
history with emotions of war between colonizers and the west African slaves,
‘lobstor-port crews’ were the first casualties of war. Their “nodding skulls”
are floating on the water, the colonially imposed religion abondoned their
lives.
Brathwaite
brings out the fervour which was seen on the eyes of West Africans to rebuild
their lost culture. The black snake in the poem refers to the blackman. The
revolt begins.
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